People en masse keep buying and presumably reading Anna Karenina. The continued popularity of the book is astounding.

Some of these have been reissued many times, sometimes in revised form. This paper analyzes how Tolstoy used fashion as imagery to communicate his growing concerns about Russian society. nine different English translations of Anna Karenina, beginning with Nathan Haskell Dole’s in 1886. This foregrounding technique, often accompanied by defamiliarization, serves to highlight themes and messages by focusing the reader on what is not said. Instead, Tolstoy carefully juxtaposed extensive physical detail about certain characters with a notable lack about others. In 19th century Russia a woman in a respectable marriage to a doctor must grapple with her love for a dashing soldier. It is equally implausible that detailed descriptions of berthas, guipure lace and pink tulle are meant to make the novel more accessible to the lower classes, which he feared might aspire to such things. THESE TWO LOVED.and the world stood aghast (original print ad). In his wife Sofia’s diary, she wrote, “Today Lyovushka (Leo) asked me for some fashion magazines regarding Anna’s ball gown.” Highly critical of the Westernized nobility in Russia, it is difficult to imagine that Tolstoy undertook this research just to provide credible detail for the entertainment of the upper class. Download ANNA KARENINA musical and enjoy it on your iPhone, iPad and iPod touch. There is evidence that Tolstoy did quite a bit of research to supply detail for his novel, Anna Karenina. Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.

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